Reviews

Earl Greyhound first came onto my radar during their face-melting performance on Saul Williams’ Afro-Punk tour last year. Captivating the stage with their unwavering spin

“I wear my heart on my sleeve, I used to loose it on the breeze,” muses singer-songwriter Sally Seltmann on “I Tossed A Coin”. Seltmann’s

It’s always the subtle nuances of a recording that make the difference between an album being just good and being great. Perhaps Simon Green has

High Places vs. Mankind, the third release from Brooklyn-to-Los Angeles duo High Places, is very appropriately titled. Rob Barber and Mary Pearson’s sonic creations have

I have always wanted to experience Kleenex/LiLiPUT live. My earliest acquaintance with them was from a Rough Trade mix from a decade ago and I

It is necessary to note right from the outset that this is not the new Mercury Rev album. I say that because John Frum, the

When it comes to Stateside music listeners and so-called “world music,” leading a horse to water seems to be the best approach. By that rationale,

It was only a matter of time before Danger Mouse chose his next target for collaborative genius. Lucky for James Mercer (the man behind the

Dancehall revisionism is in the air these days. The lads from These New Puritans utilized the dance beat structure to create marching riddims throughout their

Perhaps you tuned in earlier this month as Jason Diamond tweeted an on-the-spot review of Future Island’s new record, In Evening Air from the Impose