The NYC post-punk trio’s new LP Modern Church arrives Sept. 12 via à La Carte Records
Let the sweat drip, preferably with tunes that are worth it on the NYC streets. For fans eager for a summer jam from under the shade, look no further than electronic post-punk crew Public Circuit. With the release of their new single “To The Grave” and their previous gem, “Samson”, they are reveling in cool spots of the season and ready for their album Modern Church, arriving on Sept. 12th via à La Carte Records. Listeners can catch them on tour in the U.S. through September and the EU & U.K. in October. With a Frankenstein-attention to detail, they have brought life into their own and use it well to harness sounds as organic as they can.
The ’80s thumping of “Samson” begs the listener in for a trip. Where that trip will lead, who cares? A whirring of sound swirls through, leaving a tranquil discomfort in its wake. The vocals are not angry, yet offer a powerful punch to stay in the zone of Public Circuit. This track is odd because it’s not a rage track, but it reads as one with a desire for introspection. Listeners are not just clenching their fists, they are left thinking hard about something purely unique to them. Maybe use this as a sound pill to get through the day? Listen on and be foot-tapping with the unusual noise.
Obviously, there was more than meets the ear as the members of Public Circuit – Sean Holloway, Ethan Biamont, and Nelson Fisher – were happy to share their thoughts on the record.
You provided a stellar track, “Samson,” right out of the gate for the summer. What was a memory that sticks out in your mind while working on this song and why?
SH: Ethan and I worked hard on the bass drum pattern. Ethan came to me with a “Samson” demo with midi drums. Then we worked together on arranging the live drum part that’s recorded on the song. The roto tom solo was also really fun to play when we recorded it.
EB: Sean did that whole drum take in like two goes. I stood in front of him like some sort of orchestra conductor signaling all the changes.
What has been your favorite bit of this summer so far for you all and why?
SH: Meeting my girlfriend because I’m obsessed with her.
EB: Meeting Sean’s girlfriend
NF: Guys, Sean has a girlfriend!
What are your hopes for the rest of 2025 and for your album release?
SH: To blow up and act like we don’t know nobody.
EB: I just wanna play some fun shows, sell some records, trade zines with people at shows.
What advice would you give musicians entering the space that you wish you had known?
SH: Stay the course. Believe in your art and your craft. Dedicate time each week to play music or be creative in some capacity. Listen to your inner voice always. Remember that music is fun; if you’re not having fun don’t be in that band.
EB: It’s cool to care a bunch about your music. Write lots of bad music, just a few good songs, and then go on tour. I hope you like sending e-mails too.
Who are your ideal touring partners and why?
SH: Shrudd, they are hilarious and their music rules.
EB: Model/Actriz, their last record was awesome. Their shows are like an adrenaline rush of energy.
