Week in Pop: Bret Koontz, Rock Abruham, Shmu, Sour Notes

Sjimon Gompers

Talking bars & brews with Rock Abruham; photographed by Enoch the 7th Prophet.

The Soft Moon’s Week in Pop

The Soft Moon’s own iconic Luis Vasquez; photographed by Marion Costentin.

In honor of The Soft Moon’s debut Sacred Bones album Criminal available February 2, Luis Vasquez co-curates Week in Pop with the following exclusive guest selections:

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I’ve recently become obsessed with Nostilevo, an industrial label based in Los Angeles with a focus on limited cassette releases. I’ve been giving their catalog all ears as of the past few weeks. It’s re-opened up a world for me, a world continuing the path with similar sonic aesthetics of bands like early Throbbing Gristle and SPK, but at the same time Nostilevo is doing something in it’s own right, something special.

Craow, “Dark”

The Soft Moon at Market Hotel

The Soft Moon live; photographed by Ester Segretto.

Siobhan, “Reliance”

The Soft Moon.

Into the blur of The Soft Moon; photographed by Ester Segretto.

Blue Krishna, “Rising Sun”

The world of The Soft Moon; photographed by Ester Segretto.

Blue Krishna, “Can’t See the Line”

Luis Vasquez of The Soft Moon; photographed by Ester Segretto.

Avellan Cross, “Luminol”

Rocking with The Soft Moon’s Luis Vasquez; photographed by Ester Segretto.

Corporate Park, “All or Nothing (mise en abyme)”

Live action with The Soft Moon; photographed by Ester Segretto.

Staccato Du Mal, “Cold Stare”

The Soft Moon forever; photographed by Ester Segretto.

Liable, “Gold im Mund”

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