Don't adjust your speakers as you arrive upon “X”, as the classic scratched compact disc sound, or digital fast-forwarded is tweaked to rhythmic effect. While the classical instruments can be heard crystallized in the ticking abstract loops; horn sounds, wood winds, synthesizers, and echoing hums fill the surrounding space in a big acoustic basin. The applied sped up digitized chopping of the instrumental sample spins like a hamster wheel in a bit-rate cage that the stringed sound inhabits. As the pinwheel progression of “X” keeps on rotating, it is the ever looming atmospheric elements that end up engulfing everything by the composition's conclusion. Below, see what Ulises had to say about his compositions and his earliest days at the piano.
Was this almost a way for you to perhaps create a new language with keys?
It´s just an attempt to modify the way of producing and listening to music. It wouldn't be fair for me to say I created a new language, I´ll leave that up to you.
What composers and instrumentalists have you found yourself enjoying lately?
Lately I became more of a sound hunter. Instead of listening to records, I’ll go around different cities and different spaces recording their particular sounds.
Advice for aspiring pianists?
Study philosophy.
Ulises Conti's new composition suite,The Greeks Believed That The Stars Were Small Holes Where The Gods Listened To Men, will be available June 22 from Flau.