An Elegy for Charm City Art Space
Tonight will be the 1,738th—and last—show at 1731 Maryland Ave., Baltimore, MD. The little house with the garage, zine library
No Form, “Goddess of Fire”
Side A: pulsing, careening, black paint splattered all over the walls and tracked all over the floor. Buildings falling, buildings
Speedy Ortiz December Tour Dates Will Benefit Girls Rock Camp Foundation
In line with Speedy Ortiz’s commitment as a band to safety, community and accessibility at shows, the band has just announced
33 1/3 Announces Newest Titles
Bloomsbury’s 33 1/3 series, which aims to feature inventive and thorough music writing, has announced its next sixteen titles, slated to
Grave Babies, “Metal Me”
Keeping in line with the deep nihilistic imagery of their new record, Holographic Violence, the newest video from Seattle’s garage-gone-goths Grave Babies
Soggy Creep, “Drag the Well” b/w “Cosmic”
Olympia’s Soggy Creep (featuring former members of Bone Sickness and Criminal Code) fall under the large black umbrella of “dark
Justin Pearson and Gabe Serbian, “Old Age Lasts Too Long”
Longtime collaborators in the delightfully (and uncompromisingly) freaky and theatrical powerviolence spectacle that is The Locust, noisegrind “supergroup” Head Wound City,
Stream See Through Dresses’ new EP, End Of Days
Omaha’s See Through Dresses are a blur of nauseous, claustrophobic energy. Their blown-out, catchy indie rock nods to the recent past, the college
Blurring Boundaries and Uniting Communities with New Age Narcissism
Every so often, Milwaukee, the unassuming city by the lake, frequently overshadowed by its Midwestern cultural hub counterparts in Chicago
Abdu Ali, “Keep Movin [Negro Kai]”
We covered Baltimore rapper and activist Abdu Ali‘s brilliant, unique and vital track “Keep Movin [Negro Kai]”, produced by Mental Jewelry
