Reviews

The evolution of Slim Twig’s growing musical catalogue provides a study of modernistic intrigues dedicated to reworking the cinematic element of the both the baroque

In September, Ty Segall, The Oh Sees and K-Holes sold out The Well in Bushwick, a veritable stadium-esque venue (long lines, overpriced beer, vendors, etc.)

“A Change Is Gonna Come” is one of Sam Cooke’s most ambitious cuts, a widely interpreted civil-rights anthem. It’s also the only cover on Rafiq

The work of Tim Cohen and Jon Bernson for their primary musical outlets (The Fresh & Onlys and Exray’s, respectively) demonstrates each musicians’ knack for

I was about to write about how I both lost my laptop (to a beer spill) and my bartending job (to tardiness) the day before

Once a shadow man in every band, now a loner publishing his first poetry, Chris Cohen has emerged from his long history of helping out

2012 has been a big year for Phil Elverum who has given us the cathedral filling hallowed highs of Clear Moon and Ocean Roar. The

It was sometime back in the fall of ’07 that I first heard Ariel Pink. I was in a Longwood University bedroom, snorting a concoction

In the context of Michael Gira’s insistence that Swans’ new incarnation is focused on creating “joyous” music, The Seer contains surprisingly few moments of elation

Paranoia, discontent, a complete inability to relate to almost everybody, everywhere – all of these themes run through Andy Human’s Freeze LP. But all of