Raleigh-based modern-funk artist Boulevards (AKA Jamil Rashad) is as prolific as he is undeniably talented and energetic. Since 2015, the artist has released a self-titled EP and a Captured Tracks-backed LP, Groove!, but it was the close of 2017 that saw Boulevards taking stock of it all and reflecting with his latest full-length, Hurtown, USA.
“I was so used to making music for myself,” shared Rashad in an interview with Gold Flake Paint. “I was so used to making music for what was true to Boulevards and Jamil’s identity and I felt like fans didn’t get to know me on the first record and people need to get to know who I am; not just Boulevards but who Jamil is.”
The work behind Hurtown, USA also came timed with Rashad’s entering into recovery and sobriety and rediscovering his love of running.
“I remember when I was in the fourth mile at this 10k and I was by myself, there was a point where I realized why I loved running. I was running for myself. I wasn’t worried about time, about place, I was just there having fun. It was an emotional point for me. It’s a good way to keep sober and stay focused. It’s meditative for sure. It’s all about getting back to the things I love because there was a point in my life where I forgot about what made me who I was.”
With that, Rashad discovered the emotional core of Hurtown, USA would be mining the tumult of his past and reconciling it while getting back to his most authentic self. With composition help from Rollergirl!, Secret Attraction and Isaac Galves and additional vocals from Laura Reed, Boulevards weaves a complete thought that plays like a long night’s worth of ruminations on the dancefloor. Rashad expertly and nimbly examines themes of love, loss, regret and hope juxtaposed against the adrenaline and endorphin activating music.
The emotional rollercoaster swings from single to single as Boulevards states his mission statement in the largely upbeat banger “What’s Real” whereas the lights go down low and bodies get a little closer together on the funk ballad “Hurtown.” “Wear & Tear” is the natural middle ground between the two while the Neon Indian collaboration “Nu Burn Ave (Intercruise)” serves as a fun-as-hell chillwave peak.
Front to back, Hurtown, USA is Boulevards’ most complete and honest work to date and is an exciting sign of things to come from the artist. Here’s hoping Rashad keeps running towards the future.