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Kelly Kerrigan
Kelly Kerrigan
October 8, 2020
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Pitchfork Festival 2024 Preview
PREMIERE: Perfect World – “Prepper Who Was Right”
Fetch Tiger –
Walking to Camera
Concert Review: Youth Lagoon brings
Heaven is a Junkyard
to New York City
Pitchfork Festival 2023: Under-The-Radar Acts to Check Out
PREMIERE: Isaac Watters – “Coconut in the Street”
Oh Darlin’ Please Read Me
: Lana Del Rey is “timeless, everywhere all at once”
Catching up with Fetch Tiger on their new EP
Flamethrower
ElectroniCON 3 Lights Up Queens
Crying in H Mart by Michelle Zauner
Pitchfork 2022: One of the Greatest Festivals Ever
Pitchfork Festival 2022: Under-the-Radar Acts to Discover
Flasher return to NYC with new album Love Is Yours
Fangirls: Scenes from Modern Music Culture by Hannah Ewens
Dehd bring thrilling live show to Manhattan
Miynt levels up on her fantastic debut album Lonely Beach
Oshima Brothers debut video for “Goldmine” off their latest LP Dark Nights Golden Days
Indigo De Souza thrills in Brooklyn
Satori breaks down his dazzling new album Dreamin’ Colours
Brooklyn trio Mary Shelley discusses their genre-bending style and character-driven debut LP
Retromania: Pop Culture’s Addiction to its Own Past by Simon Reynolds
Jaguar Sun – “One Day”
Rising indie rockers Bloomsday play Baby’s All Right & talk new single “Phase”
CRSSD continues to forge a unique path
The Storyteller by Dave Grohl
Escapism & Confrontation: Q&A with Nisa
Natural Storytellers: Q&A with Fetch Tiger
YOON Fest: The Ultimate Desert Renegade
The Inherent Cool of Pitchfork Fest
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The Metamorphosis of Indigo De Souza
Daydream Review – “Montage”
Indigo de Souza – “Kill Me”
Local Opener – “I’ve Got You” (feat. Summer Salt)
Dream Weaver: Q&A with LOVE TRULS
Rebirth, Resurrection & Moon Phases: The Return of Blood Cultures
“Summertime” Love: Q&A with Satya
“Song-Generating Machine”: Q&A with Palberta
Reykjavík & Beyond: Q&A with Lord Pusswhip
Tunnel Vision: Q&A with Carpool Tunnel
PVLMS – ‘All The Time’ EP
Mint Condition: Q&A with Miynt
Benny Bridges – “Lucky Penny”
Psychedelic Rabbit Hole: Q&A with fpodbpod’s Sean Olmstead
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